Bread
&
Roses
(2000)

Ron Perlman makes a very brief cameo appearance in this gritty, thought-provoking drama by British director, Ken Loach.

The storyline centers around two Latina sisters who earn a pittance as office cleaners in downtown Los Angeles, and fight for the right to unionize.

At one point in the film, the hispanic cleaners invade a party at a big law firm and, as the union leader delivers his demands, the camera pans around the room to reveal Tim Roth, Benicio del Toro, Ron Perlman, Sam West and Chris Penn looking mildly amused at the disruption.



Michael Rechtshaffen of The Hollywood Reporter wrote that while "Bread and Roses" marks his first time filming on American soil, Cannes favorite Ken Loach ("My Name Is Joe," "Raining Stones") nevertheless finds himself right at home with subject matter that once again deals with the plight of the struggling working class.

Given that the group in question happens to be Los Angeles office cleaners who fight for unionization, the drama certainly has a ripped-from-the-headlines resonance for Angelenos who recently witnessed a protracted, disruptive janitors' strike played out in nightly newscasts.

Others should find the David vs. Goliath story equally involving and often moving despite some overly didactic passages, while screen newcomer Pilar Padilla makes a strong impression as the film's fiercely spirited lead.

Loach's film begins literally cutting to the chase as a group of illegal Mexican immigrants are being smuggled across the border by abusive "coyotes" who separate them from their children and loved ones until they pay their transport fees in full. Among them is young, feisty Maya (Padilla) whose similarly strong-willed, naturalized sister Rosa (Elpidia Carrillo) gets her a job as a cleaner for Angel, a non-union janitorial company assigned to a downtown office block.

Comprising mainly Latino immigrants, legal and otherwise, the cleaners work long hours for scant pay and zero benefits while also having to put up with constant threats from their intimidating supervisor, Perez (George Lopez).

Enter Sam Shapiro (Adrien Brody), an energetic activist with a healthy sense of mischief who ultimately manages to make the workers see the union light despite Perez and his various scare tactics. Sam also ignites a little spark between himself and Maya, much to the displeasure of her admiring co-worker, Ruben (Alonso Chavez), who fears that any unnecessary boat-rocking will jeopardize his shot of getting a college grant.

But just in case the above scenario might suggest "Norma Reyes," it should be pointed out that Loach and screenwriter Paul Laverty, who also collaborated with the filmmaker on "Carla's Song," offer no pat, crowd-pleasing resolutions. Instead they serve up the bittersweet slices of marginalized life for which Loach is famous. He's also known for casts that combine seasoned professionals with fresh acting talent and authentic non-pros with convincing results.

The major find here is Mexican theater actress Padilla, who effectively gives the picture its spunky soul. Good, too, are lanky Brody as the wave-making labor crusader, Carrillo as Maya's sacrificing sister and stand-up comic Lopez as their bullying boss.

Behind the scenes, Loach and his frequent collaborators again eschew fancy footwork in favor of an organic, verité approach that keeps the camera at eye-level and the lighting natural, allowing the players to do their thing without having to worry about hitting their technical marks. The result might not always be pretty, but it's seldom uneventful.

BREAD AND ROSES. A Parallax Pictures, Road Movies Filmproduktion and Tornasol/Alta Films production.

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